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STUDIES IN BIBLIOGRAPHY, PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA. VOLUME 18
Edited by Fredson Bowers.
Article The Historiography of American Literary Publishing
by G. Thomas Tanselle [pp. 3-39]
Article The Chaucerian Proverbs
by George B. Pace [pp. 41-48]
Article The Printing of Spenser's Faerie Queene in 1596
by Frank B. Evans [pp. 49-67]
Article Dr. Donne and the Booksellers
by R. C. Bald [pp. 69-80]
Article A Bibliographical Account of The Gentleman's Magazine, 1731-1754
by William B. Todd [pp. 81-109]
Article Tennyson's The Lover's Tale, R. H. Shepherd, and T. J. Wise
by W. D. Paden [pp. 111-145]
Article A Quantitative Solution of the Ambiguity of Three Texts
by Antonín Hrubý [pp.147-182]
Article A Description of "Paternal": The Unpublished Autobiography of Cotton Mather
by William R. Manierre II [pp. 183-205]
Article Emily Dickinson and the Machine
by S. P. Rosenbaum [pp. 207-227]
Article The Red Badge of Courage Manuscript: New Evidence for a Critical Edition
by William L. Howarth [pp. 229-247]
Article The First Edition of Ficino's De Christiana Religione: A Problem in Bibliographical Description
by Curt F. Bühler [pp. 248-252]
Article The Printer and the Date of Romeo and Juliet Q4
by George Walton Williams [pp. 253-254]
Article The Printing of A King and No King Q1
by Robert K. Turner, Jr. [pp. 255-261]
Article The Date of the Separate Edition of Milton's "Epitaphium Damonis"
by John T. Shawcross [pp. 262-265]
Article Shirley's Coronation and Love Will Find Out the Way: Erroneous Title-pages.
by T. J. King [pp. 265-269]
Article A Checklist of the Writings of Albion W. Tourgée (1838-1905)
by Dean H. Keller [pp. 269-279]
Article Whitman's Leaves of Grass: Notes on the Pocketbook (1889) Edition
by William White [pp. 280-281]
Article Blake's Jerusalem: Plate 3 Fully Restored
by David V. Erdman [pp. 281-282]
Article A Note on Tennyson's Ode on the Death of the Duke of Wellington.
by Christopher Ricks [p.. 282]
Checklist A Selective Check List of Bibliographical Scholarship for 1963 [pp. 283-306]
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[A COLLECTION OF NINE DESIGNER BOOKBINDINGS BY THIS GERMA...
A unique collection of nine designer bindings, many of which were part of a 1982 exhibit at the Salzburg Werkstatte für Buchkunst. The display of these works was documented in an exhibition catalogue, printed in an edition of 500 numbered and signed copies, a copy of which is also included with the collection. The catalogue has two photographs of the binder, eleven black-and-white and twelve color illustrations of his work. The bindings in the collection demonstrate a wide range of technical prowess and decorative ingenuity. Three of the bindings are traditional contemporary designer bindings composed of full leather with colored leather inlays, which take the form of Miro like abstractions in two examples. Two other bindings demonstrate Stock's ability to create painted leather and parchment bindings. One binding demonstrates his use of contemporary marbled paper and vellum covered boards. Three other bindings demonstrate his ability to provide books with less traditional but more elemental book coverings. One has a simple loose leather covering with a simple gold rule bound by simple leather ties. Another covering loosely gathered in suede is fixed with a tie and a metal dagger. The other, a bit more artistic, is a similar loose vellum covering with ties, but is painted with an original abstract design. Two of the bindings are for blank books. A third covering is a prayer book, in a suitably ecclesiastical-looking binding with flaps and ties. One full leather binding with inlays is a German translation of a work by Walter Crane. The painted leather is the autobiography of Albert Schweitzer. The rest are works having something to do with binding or other aspects of book making. Unlike some art-bindings, Stock's are clearly meant as functional books, with texts intended to be used as texts. The collection of nine bindings together with the exhibition catalogue describing his work gives a remarkable sense of this man's range of binding ability and personal sense of style.
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