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A MEDITATION IN ROME.
Gehl, Paul F.
Limited to 110 numbered copies of which ten are proofs. Comprises the script from which the author read his address "How Can Type History Be Good History?" to the plenary session of ATypI Roma on September 20, 2002. An exploration of historical honesty in typographic revivalism. Frontispiece foldout color photograph of the Pantheon in Rome. Color illustrations tipped in throughout text. Printed on Hahnemühle Biblio paper by Maret and Nancy Loeber in the digital versions of Rusell's Gremolata and Cancellaresca Milanese typefaces. Covers feature a paper printed from a new metal type ornament designed by Maret, engraved and cast for this book by Micah Currier. Listing of the author's references and credits. Prospectus and card from the publisher laid in.
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> Hopkins, Richard L. (editor), PRIVATE TYPECASTERS, PRESERVING THE CRAFT OF HOT-METAL TYPE INTO THE TWENTY-FIRST CENTURY.
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LETTRES DE MON MOULIN.
by Daudet, Alphonse
Text in French. This is one of the six numbered sets printed on Madagascar paper with color illustrations designed by André Collot and containing an extra set of plates demonstrating the color progression of an illustration. Colophon page notes that illustrations were engraved by Collot and drawn by G. Duval in Paris. Collot (1897-1976) was a French artist and illustrator. A collection of short stories by Daudet (1840-1897), a French novelist. Frontispiece, foreword and table of contents. Table of contents follows text. Unopened. Wrappers slightly bent at edges and lightly soiled.

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