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THE WESTERN MANUSCRIPTS IN THE LIBRARY OF TRINITY COLLEGE, CAMBRIDGE A DESCRIPTIVE CATALOGUE.
James, Montague Rhodes
4 volumes.

   

- Cambridge : The University Press 1900
- 4to.
- cloth; title, author's name, volume and Cambridge arms gilt-stamped on spine
- xxvi, 549+(1); xxviii, 428; xxxii, 532; xvi, 17 plates, 40 pages
- Order Nr. 109460
- Price: $ 950.00



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A bibliography of the manuscripts in the library of Trinity College, Cambridge University. Those manuscripts are kept in three cases, designated B (theological), R (historical, miscellaneous and oriental), and O (a collection donated by Robert Gale in 1738). Volume 1 includes class B, entries 1-417; Volume 2, class R, entries 418-1024; Volume 3, class O, entries 1025-1506. Volume 4 includes a description of the plates, addenda to the manuscripts (Porson manuscripts in class C), general addenda and corrigenda, 17 black and white plates and a general index. Each volume includes a preface by the author, a table showing the numbering of the manuscripts in the Catalogi Manuscriptorum Angliae and the library's shelf-marks, a list of donors and corrigenda. All entries include descriptive information, the shelf-mark, and contents. Boards faded; front board of Volume 2 bumped. Text very lightly tanned.

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More On This Subject - -

> BIBLIOGRAPHY
> UNITED KINGDOM
> MANUSCRIPTS: MEDIEVAL & ILLUMINATED
> ILLUMINATED MANUSCRIPTS, EARLY PERIOD
> CAMBRIDGE UNIVERSITY
> TRINITY COLLEGE
> TRINITY COLLEGE LIBRARY

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THE AUTOGRAPH MISCELLANY OF AUTOGRAPH LETTERS, INTERESTIN...
by Netherclift, Frederick

Facsimiles of several lines to several pages of autograph letters and other examples of writing by sixty-one historical figures, mostly copied from documents in the British Museum. Transcriptions on lighter paper alternate with facsimiles on heavier stock, with the transcription(s) on the left-hand side and the facsimile(s) on the right. Printing is generally on one side only; facsimiles of more than one page in length are, however, printed on the front and back of the sheet. The title page is a full-page four-color lithographic design with an elaborate border and typography. Per preface, this was to be the first of an annual series. Since this book is well on its way to dissolution into single sheets (there does not seem to be anything missing except part of the backing) the binding scarcely needs mention. It is (was) cloth imitating straight-grained leather, with blind-stamped cover borders and gilt title. Ex-library, with spine label. Title page soiled, occasional soiling in text.




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