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SOCIAL LIBERATION: FROM THE FRENCH REVOLUTION TO THE MIDDLE OF THE TWENTIETH CENTURY
Kerssemakers, Agnes M.L.
This extensive catalogue describes around 9,000 printed books, pamphlets, papers, periodicals, almanacs, broadsides, posters, prints, caricatures, photographs, manuscripts, and memorabilia that were collected by author Agnes M.L. Kerssemakers over the course of many years.
It is a collection of mainly propaganda and enlightenment publications, but also entertainment pieces like songs and literature, including almost every edition of the Malik-Verlag. The book is complemented with pictorial surveys of social bodies or activities, as well as the great works of the social Fathers, like Babeuf, Morelly, Rousseau, Moses Hess, Flora Tristan, Marx and Lenin.
The catalogue has been enriched with 161 full color illustrations.
Available outside North America from HES & DE GRAAF.
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> PRINTING HISTORY, EIGHTEENTH CENTURY
> PRINTING HISTORY, NINETEENTH CENTURY
> PUBLISHING HISTORY, EIGHTEENTH CENTURY
> PUBLISHING HISTORY, NINETEENTH CENTURY
> PROPAGANDA
> EPHEMERA
> HESDEGRAAF
> OAK KNOLL PRESS
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NUOVO LIBRO DI CARATTERI DIVERSI DE SCRITTURA FORMATA, E ...
by Pitois, Giuseppe Aureglio
Text in Italian. A manual by Italian writing master Pitois. One of a number of his works produced in Turin by Reycends Brothers and the book/mapseller firm Guibert. At the beginning of the 18th century, the Rome-Venice hegemony in penmanship was waning, due to growing French influence in calligraphy. This slant towards French taste is revealed in the "Moderno" of the title, and the fact that most of the twenty-six leaves are marked as engraved in Paris by artist Claude-Auguste de Berey. From 1690 to 1730 de Berey, or Berey, engraved the plates for several well-known French works on calligraphy. All the firm's writing manuals printed at this time were engraved in Paris (Barker, p. 147). Two leaves lacking. Soiled, margins chipped, old fold at center.

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