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NINETEENTH CENTURY AMERICAN COLOR PLATE BOOKS
Reese, William S.
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Published in two parts in 1799 and 1800, The City of Philadelphia ...As it Appeared in the Year 1800 by William Birch was the first American color plate book to be published. During the mid 1890s, there was widespread use of the trichromatic half-tone process. This was quickly replaced with new mediums that dominated the twentieth century, providing the basis for this publication. Because production moved from hand-colored plate engravings and lithographs to the development of chromolithography, the nineteenth century shows the birth, rise, and eventual demise of methods of production in the culture of American printed books.
Color in books represented luxury during the nineteenth century. Color was never cheap, and although technology made color plates available to a wider audience, the big color plate books were still only available to the rich because of their high cost. As the demand for color became stronger, publishers were more eager to supply it. To do this, it often meant hand finishing was replaced by mechanical work, and quality was therefore reduced.
This exhibition takes a closer look at the world of lost processes and skills. This book traces the progression of production processes and the careers of some of the leading specialists. Aiming to show the diversity of color plate work among the leading titles, the exhibition displays highlights of the century and provides insight into the tastes and interests of those producing in the nineteenth century. Beautifully illustrated, Stamped with a National Character: Nineteenth Century American Color Plate Books shows the production techniques used in creating color plate books in America.
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RÉLIURE ANCIENNE ET MODÈRNE, RÉCUEIL DE 116 PLANCHES
by Brunet, Gustave
First edition. (Mejer no.27; Brenni no.282). A collection of 116 photo engravings of the finest examples of French bookbinding produced from the 16th to 19th centuries. Compiled by one of France's most renowned bibliophiles, the reproductions portray works executed with lavish attention to detail by master bookbinders such as Padeloup, Clovis and Nicolas Eve, le Gascon, and Nicolas Derome. In addition, since these works of art belonged to notables such as Jean Grolier, François Ièr, Diane de Poitiers, Louis XIII, Mazarin, and Cosimo de Medicis, to name a few, their value rendered them inaccessible to the scrutiny of most bibliophiles. Therefore, through the precisely reproduced plates in this album, Brunet intended to give bibliophiles the opportunity to acquire a deeper knowledge of the details and artistry of the original bindings and also to appreciate the progress of the art through the centuries. In red, brown, or black-and-white, the plates are from the Bibliophile Français (1808 - 1873). Keyed to the plates is a descriptive table, of which thirty-one more important and distinctive works receive enhanced descriptions. Foreword, introduction and table handsomely printed with wide margins. Booklabel of Miss Ann Ingersoll Meigs who has signed and dated (December 1883) this copy on the half-title. Covers show wear around edges and tips with part of leather chipped away at the bottom of the spine. Has been skillfully rebacked with original leather spine laid down on newer matching leather. Free endpaper partially detached. Ownership inscription in pencil.
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