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FOR JEAN GROLIER & HIS FRIENDS: 125 YEARS OF GROLIER CLUB EXHIBITIONS & PUBLICATIONS, 1884-2009
Ong, George and Holzenberg, Eric

   

- New York : The Grolier Club 2009
- 8 x 11 inches
- hardcover
- 460 pages
- ISBN 1605830194 / Order Nr. 106180
- Price: $ 300.00

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The Grolier Club is devoted to sharing the beauty of typography, printing, illustration, and other areas of book design and production. Through more than 850 exhibitions and almost 500 publications, the Grolier Club has strived to develop an appreciation in America for books and prints. Produced to accompany the Grolier Club exhibition held December 2008 to February 2009, this volume explores the history of the Grolier through its ground-breaking program of exhibitions, and its long and distinguished series of publications. It provides for the first time in a single volume, comprehensive and detailed lists of Grolier Club exhibitions and publications, as well as histories of these activities at the Club. One of only 300 copies on mould-made Hahnemuhle paper, this is a publication in the highest Grolier Club tradition, one of a series marking the 125th anniversary of the founding of the Grolier Club in 1884. There are over 200 illustrations, many in color, some tipped in.

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> BIBLIOGRAPHY
> PUBLISHING HISTORY
> GROLIER, JEAN
> EXHIBITION
> GROLIER CLUB
> ONG, GEORGE
> GROLIERDB
> OAK KNOLL PRESS
> NEW

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THE PROCESS ENGRAVER'S MONTHLY, THE PROCESS PHOTOGRAM. VO...
by Ward, H. Snowden (editor)

Complete Volume Vol. 13, No. 145 (Jan 1906) to No. 156 (Dec 1906) of this important periodical which started in 1894. Bound with THE PHOTOGRAPHIC MONTHLY. Color frontispiece, plates, text illustrations. The St Bride Catalogue of Periodicals (p. 28) notes: "A useful set for history and development of process work during the past 50 years. Vols. 1 to 12, 1894 to 1905, were entitled Process Photogram, Monthly Organ of Federation of Master Process Engravers." Ulrich & Kup (p. 90) note: "Practical hints, not to be missed, whether interested in halftone, collotype, or lithography."
(See Bridson & Wakeman F48 for earlier volumes). Bookplate of Lawrence Wallis. Endpapers foxed, signature in ink.




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