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BEAUTIFUL BOOKBINDINGS: A THOUSAND YEARS OF THE BOOKBINDER'S ART
Marks, P.J.M.
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As a craft of more than 2,000 years, the art of bookbinding has been overlooked in history. Primarily seen for its practical purpose of protecting the pages of a book, it is sometimes hard to recognize the creative aspects of a bookbinding. Beautiful Bookbindings hopes to bring to light this artistic way of thinking by displaying the finest bookbindings as the objects of desire they were originally intended to be. As the great aesthete Oscar Wilde believed, bookbindings are beautiful and artistic in their own wonder.
Because covering materials are prone to fading and deterioration, relatively few examples of early bookbindings have survived. In more recent times, the number of surviving examples has increased due to deliberate efforts to preserve ornate bindings. Despite the difficulty in preserving bindings, this book pieces together the history of bookbinding, using written sources where necessary to fill the gaps that the bindings themselves do not fill.
From exquisite medieval bookbindings made of precious metals and jewels to the unique and highly imaginative creations of contemporary bookbinders, this book celebrates over 100 of the most beautiful bookbindings of the last 1,000 years. Books bound by some of the greatest bookbinders including Mearne, Padeloup, Payne, Simier, Cobden-Sanderson, and others are showcased, further revealing the beauty and skill of this art form. Spanning over ten centuries, some of the books displayed were once owned by Francis I and Henry II of France, Jean Grolier, Thomas Mahieu, Queen Elizabeth I of England, and William Morris. Fully illustrated in color, with specially commissioned studio photography, Beautiful Bookbindings provides a visual overview of the development of this splendid art form. The book focuses on the craft of hand-bookbinding that existed until the Victorian era when mass-produced trade bindings took over. Bookbinding as a craft form never disappeared, however, and the second half of the twentieth century saw a significant revival. The introduction provides an engaging overview of the history and techniques of the craft and of its most important practitioners. Visually stunning, this book will have a wide appeal to anyone with an interest in visual arts, crafts, and book history.
Sales rights: North and South America; available elsewhere from The British Library.
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Books of related interests - -
> Kirsop, Wallace (editor), THE COMMONWEALTH OF BOOKS: ESSAYS AND STUDIES IN HONOUR OF IAN WILLISON.
> Pon, Lisa and Craig Kallendorf (editors), THE BOOKS OF VENICE (IL LIBRO VENEZIANO).
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THE FLOUNDER.
by Grass, Gunther
Printed in an edition limited to 1000 numbered copies. History as a series of biographies and meals? Along with a magical fish who doesn't want to be eaten (one recognizes the Grimm fairy tale). Men catch food, women prepare it, or at least in this novel, whose apparently everlasting fisherman protagonist keeps meeting the same well-informed fish while his equally immortal wife manifests again and again in various guises (always as a cook), though lacking a personal memory of human history or past lives. In the "present," the flounder has been caught by three lesbians and brought to trial before a radical feminist tribunal for having "served the male cause in an advisory capacity since the late Neolithic, well knowing that his advice redounded to the detriment of the female sex." But the flounder still has something to say... Finely illustrated with 27 of Grass' excellent, grotesquely realistic original illustrations printed in two colors by The Anthoensen Press. Printed throughout on grey paper made for this edition. Letterpress printed by Daniel Keleher at his Wild Carrot Letterpress. Translation by Ralph Manheim. With Newsletter prospectus loosely inserted. Touch of wear along bottom of slipcase.
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