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LAWRENCE LANDE COLLECTION OF CANADIANA IN THE REDPATH LIBRARY OF MCGILL UNIVERSITY, A BIBLIOGRAPHY
Lande, Lawrence

   

- Montreal : McGill University 1965, 1971
- folio, large 4to.
- leather spine, cloth, slipcase
- xxxvi,303 pages,113 pages of plates; xx, 779 pages.
- Order Nr. 103789
- Price: $ 400.00



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First editions, first volume is signed by Lande and limited to 950 copies. The supplement is signed by Lande and is limited to 500 copies. The first volume is printed on handmade paper and has many illustrations including facsimiles and foldout maps. Some scuffing of spine of first volume.

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More On This Subject - -

> BIBLIOGRAPHY
> MAPS
> CANADA

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> Map Dealer's Reference Library

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> Parker, David W., GUIDE TO THE MATERIALS FOR UNITED STATES HISTORY IN CANADIAN ARCHIVES
> Smith, Illoana M. (compiler), TRANSPORTATION IN BRITISH COLUMBIA: A BIBLIOGRAPHY
> Enns, Richard A., A BIBLIOGRAPHY OF NORTHERN MANITOBA.

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GREEN BLADES FROM HER MOUND
by Hardy, Thomas

One of 200 bound thus as the main edition. Signed by Mark Cazalet who chose the poems and created the images. Thomas Hardy's wife Emma died in November 1912, in the attic room of their house where she had lived estranged from him. Their marriage had hardened into an empty shell and Hardy had long been in love with Florence Dugdale, whom he married the following year.
However, on reading Emma's secret memoirs detailing his cruelty and the breakdown of their marriage, Hardy was hit by an avalanche of grief. He returned to the north Cornish coast of their courtship and spent the rest of 1912 and 1913 producing his most lyrical and abiding collection of poetry.
Mark Cazalet has created images to act as visual equivalents for the extraordinary insights Hardy found in the depths of his experience, rather than attempting his topography or historical period. He arranged the sequence to suggest his gradual reconciliation to guilt and grief, resolving into a dawning sense of acceptance. It was a long and painstaking task to cut wood and linoleum for the twenty-two large images. Each page opening involves three colours on characterful Italian white paper, and the inks were specially mixed by Canfield Colours from natural pigments.




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