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THE BICENTENNIAL OF LITHOGRAPHY.
A keepsake for the members of the Book Club of California, published to commemorate the birth of lithography two hundred years before. Michael Twyman, J. Curtiss Taylor, Gary F. Kurutz and George K. Fox all contribute articles to the keepsake, which cover the history, trade cards of early British Lithographers, prints of George Henry Goddard and more. Illustrated.
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> PRIVATE PRESS & FINE PRINTING, TWENTIETH CENTURY
> UNITED STATES, CALIFORNIA
> BOOK CLUB OF CALIFORNIA
> PRINTING HISTORY, TWENTIETH CENTURY
> LITHOGRAPHY
> KURUTZ, GARY F.
> FOX, GEORGE K.
> GODDARD, GEORGE
> TWYMAN, MICHAEL
> TAYLOR, J. CURTISS
Books of related interests - -
> Johnston, Alastair, " BLACK MACK THE HANDPRESS: AN APPRECIATION."
> CALIFORNIA PRINTING, A SELECTED LIST OF BOOKS WHICH ARE SIGNIFICANT OR REPRESENTATIVE OF A CALIFORNIA STYLE OF PRINTING.

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MODELES DES CARACTERES DE L'IMPRIMERIE ET DES AUTRES CHOS...
by Mosley, James
Printed in an edition limited to 600 copies. Reproduced from the copy in the Printing Library of the St. Bride Institute. Thirty-three plates depict samples of the types cut by Fournier c. 1742 and which then appeared in his Manuel Typographique. A consummate artist and craftsman, Fournier (1712 - 1768) was one of the 18th century's finest engravers and typefounders, and his type, with its light, clean look on the printed page and great economy in text, greatly influenced Giambattista Bodoni ( 1740 - 1813), who later in the century popularized the more severe "modern" look. Introduction by Mosley, renowned typography professor and then librarian at the St. Bride Printing Library. Printed in collotype by Louis van Leer & Co. of Amsterdam on rag cream paper. Loosely inserted in this copy is the 12 page publisher's catalogue describing this book and others they published.

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