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DIE KUNST, KUPFERSTICHE ZU RESTAURIREN UND FLECKEN AUS PAPIER ZU ENTFERNEN.
Bonnardot, A.
Eine Anweisung, schadhafte und beschmutzte Kupferstiche, Zeichnungen, Aquarelle u. von Flecken zu befreien, zu bleichen, zu entfärben, auszubessern und aufzubewahren, sowie Flecken aller Art aus Papier, Pergament, gedruckten Büchern, Papp- und Papierarbeiten u. auf das Sauberste und unfehlbar zu entfernen. Ein Hilfsbuch für Kupferstich-Sammler, Bibliothekare, Zeichner, Maler, Buchbinder, Papparbeter u. Nach dem Französichen bearbeitet.
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- Quedlinburg : G. Basse 1859
- small 8vo.
- contemporary half brown calf with marbled paper covered boards, six raised bands, top edge gilt
- iv, 104 pages.
- Order Nr. 102279
- Price: $ 850.00
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First German edition from the 1858 first edition which was published in Paris. (Mejer 1642). From the reference library of the Zaehnsdorf Company with a commemorative booklabel loosely inserted. With the bookplate of the Zaehnsdorf Company. Spine faded.
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More On This Subject - -
> BOOKBINDING, NINETEENTH CENTURY
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> RESTORATION
> MANUAL
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> Hauptmann, Josef, ART OF MARBLING (FOR THE DECORATION OF BOOK EDGES), A MANUAL FOR PRACTISING THE ART OF MARBLING USING HALFER'S METHOD. (in Dutch) DE MARMERKUNST, (TOT VERSIERING DER BOEKSNEDE.) EENE HANDLEIDINGTOT DE PRACTISCHE BEOEFENING DER MARMERKUNST NAAR HALFER'S METHODE.
> Lenormand, Séb., NOUVEAU MANUEL COMPLET DU RELIURE EN TOUS GENRES.
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NOTICE SUR LES TYPES ÉTRANGERS DU SPÉCIMEN DE L'IMPRIMERI...
by Imprimerie Royale.
First edition. (Audin 14, Updike II, p.327, Burke 596). Presents typographic specimens from the Imprimerie Royale in more than thirty languages, including ancient Egyptian, Chinese, Armenian, Syriac, Arabic, Mongol, Tibetan, Russian, Runic, Anglo-Saxon, German (Fraktur), Javanese, and Gujarati. The two-page comparative table of Roman types shows those used by the Press from 1640 to 1846, with one font attributed to Garamont and others engraved by Grandjean and Alexandre, Luce, Firmin Didot, Jacquemin, and Legrand. Updike calls this "one of the most enlightening documents about French typeface in existence." With hand-written presentation at top of half-title by M. Saint Georges, Director of the Imprimerie Royale and officer of the Legion d'honneur, to a major in the Imperial Guard of the Sultan, on 30 October 1850. Spine rubbed; corners of boards rubbed and scuffed at edges. Boards soiled and stained. Stamp in modern Turkish (Roman alphabet) on front board. Title page stamped with the stamp of the director's office of the Imprimerie Nationale.
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