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FINE BOOKBINDING: A TECHNICAL GUIDE
Lindsay, Jen
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The purpose of this book is to guide the reader through the sequence of operations involved in creating a book bound in leather, or a "fine binding." The author defines a fine binding as a book fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Although a basic knowledge of bookbinding terms and techniques is assumed, this book is meant for both novice and experienced bookmakers.
The book is intended to be used as an active guide during the process of fine binding. It is arranged into sixteen sections, listing the sequence of operations, beginning with preliminary work and ending with preparing and putting in leather doublures. Each section includes appropriately numbered instructions allowing the user to find his or her place in the sequence of operations with a reference for what step is next. There are also numbered explanatory sections that include a rationale (why you do it) and technique (how you do it). The work includes close to 300 black and white illustrations, four appendices, and a bibliography.
Jen Lindsay is a bookbinder with extensive experience in teaching, lecturing, and writing on bookbinding and the history of the book. She first studied bookbinding at Camberwell School of Art and Crafts, London (1977-1979), and then worked as a freelance bookbinder. She was a bookbinding tutor and Program Convener for the BA Bookbinding and BA Calligraphy programs at Roehampton Institute, West London (1983-2001) and then bookbinding tutor at The City Literary Institute, London (2001-2005).
Sales Rights: North and South America; available elsewhere from The British Library.
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Books of related interests - -
> Smith, Keith A., STRUCTURE OF THE VISUAL BOOK.
> Middleton, Bernard C., A HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE.
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EXHIBITION OF BOOKS ON PAPERMAKING, A SELECTION OF BOOKS ...
Taylor B1. One of 300 copies. This was the first commissioned work done for another institution by Henry Morris at his Bird & Bull Press. The printed cover design is repeated on a second sheet of salmon colored paper as a watermark. The catalogue describes 75 landmark books on papermaking and is an excellent "high spot" bibliography of the field. Signed by Henry Morris and presentation from Leonard Schlosser to Ellen Shaffer, librarian of the Free Library.
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