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THE EARLY PRINTINGS OF ABRAHAM LINCOLN'S GETTYSBURG ADDRESS AND WHAT THEY REVEAL ABOUT HIS SPOKEN WORDS.
Carbonell, John
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The opening words of Lincoln's Gettysburg Address are familiar to many, but the exact wording of the rest of his speech has been contested over the years. Soon after Lincoln spoke at Gettysburg on November 19, 1863, variations of what he said were printed in a number of publications. Generations of commentators have since puzzled over these, wanting to know which one is the most accurate. This short book continues that quest, first by cataloguing and annotating a sequence of key printings published in the six months after he spoke and by investigating their sources, with reference to the five surviving manuscripts of the Address in Lincoln's hand as well as other documents. John Carbonell concludes that not only is a certain printing the most accurate, as many have thought, but more controversially, that there is no compelling reason to believe that a single word in it is mistaken.
John Carbonell is an antiquarian book and print dealer specializing in nineteenth-century American and Canadian printed ephemera. He was born in Malaysia, grew up in Australia, and graduated from universities in England and the United States before moving to Canada and becoming a Canadian citizen. He now lives in Virginia with his wife and two children.
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> Bigmore, E.C. and C.W.H. Wyman, A BIBLIOGRAPHY OF PRINTING.
> Leroy, David H., MR. LINCOLN'S BOOK: PUBLISHING THE LINCOLN-DOUGLAS DEBATES.
> Bridson, Gavin and Geoffrey Wakeman, PRINTMAKING & PICTURE PRINTING, A BIBLIOGRAPHICAL GUIDE TO ARTISTIC & INDUSTRIAL TECHNIQUES IN BRITAIN, 1750-1900.
> Joyce, William L., David D. Hall, and Richard D. Brown, PRINTING AND SOCIETY IN EARLY AMERICA
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THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
by Tattersfield, Nigel
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.
His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Bewick illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.
Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.
Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.
Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.
No slipcase.
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